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Places of power : the aesthetics of technology  Cover Image Book Book

Places of power : the aesthetics of technology / John Sexton ; foreword by Walter Cronkite ; essay by Rob Pike.

Record details

  • ISBN: 0967218810 (hardcover ed.) :
  • ISBN: 096721887X (deluxe limited ed.)
  • Physical Description: 1 v. (unpaged) : ill. ; 32 cm.
  • Edition: 1st ed.
  • Publisher: Carmel Valley, Calif. : Ventana Editions, c2000.
Subject: Pueblo Indians > Antiquities > Pictorial works.
Steam power plants > Pictorial works.
Space shuttles > Design and construction > Pictorial works.
Technology > Pictorial works.
Hoover Dam (Ariz. and Nev.) > Pictorial works.
Genre: Photography, Artistic.

Available copies

  • 1 of 1 copy available at GRPL.

Holds

0 current holds with 1 total copy.

Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Main Oversize 779.99744 Se91p (Text) 31307012577401 Storage Available -

Syndetic Solutions - Summary for ISBN Number 0967218810
Places of Power : The Aesthetics of Technology
Places of Power : The Aesthetics of Technology
by Sexton, John; Cronkite, Walter (Foreword by); Pike, Rob (Contribution by)
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Summary

Places of Power : The Aesthetics of Technology


Places of Power, John Sexton's third book, transports the viewer to places few have experienced firsthand. This beautifully produced book explores the haunting mystery of ancient Anasazi cliff dwellings, the monumental scale of Hoover Dam, the massive energy of steam turbine power plants, and the intricacies of the Space Shuttle. The eighty-three striking photographs in Places of Power bring the viewer into intimate contact with these amazing technological achievements. Seen through Sexton's eyes, these structures and machines built for utilitarian purposes are transformed into miraculous sculptures. In addition to the vibrant reproductions, the book includes an insightful foreword by legendary journalist Walter Cronkite, as well as an intriguing essay by noted computer scientist, Rob Pike. John Sexton shares his experiences and challenges in the making of these photographs in his own essays.

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