A tiger that's fled the zoo during World War II and the "deathless man" who collects the souls of the departed: two tales told to young medic Natalia by her grandfather that frame this bold, imaginative debut, effectively capturing the fearfulness that precipitated the recent fighting in the author's native Balkans. Obreht's storytelling is complex, humbling, and sheer magic. (LJ 1/11) (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

*Starred Review* Not even Obreht's place on the New Yorker's current 20 under 40 list of exceptional writers will prepare readers for the transporting richness and surprise of this gripping novel of legends and loss in a broken land. Drawing on the former Yugoslavia's fabled past and recent bloodshed, Belgrade-born Obreht portrays two besieged doctors. Natalia is on an ill-advised good will medical mission at an orphanage on what is suddenly the other side, now that war has broken out, when she learns that her grandfather, a distinguished doctor forced out of his practice by ethnic divides, has died far from home. She is beset by memories, particularly of her grandfather taking her to the zoo to see the tigers. We learn the source of his fascination in mesmerizing flashbacks, meeting the village butcher, the deaf-mute Muslim woman he married, and a tiger who escaped the city zoo after it was bombed by the Germans. Of equal mythic mystery is the story of the deathless man. Moments of breathtaking magic, wildness, and beauty are paired with chilling episodes in which superstition overrides reason; fear and hatred smother compassion; and inexplicable horror rules. Every word, every scene, every thought is blazingly alive in this many-faceted, spellbinding, and rending novel of death, succor, and remembrance.--Seaman, Donna Copyright 2010 Booklist

The sometimes crushing power of myth, story, and memory is explored in the brilliant debut of Obreht, the youngest of the New Yorker's 20-under-40. Natalia Stefanovi, a doctor living (and, in between suspensions, practicing) in an unnamed country that's a ringer for Obreht's native Croatia, crosses the border in search of answers about the death of her beloved grandfather, who raised her on tales from the village he grew up in, and where, following German bombardment in 1941, a tiger escaped from the zoo in a nearby city and befriended a mysterious deaf-mute woman. The evolving story of the tiger's wife, as the deaf-mute becomes known, forms one of three strands that sustain the novel, the other two being Natalia's efforts to care for orphans and a wayward family who, to lift a curse, are searching for the bones of a long-dead relative; and several of her grandfather's stories about Gavran Gaile, the deathless man, whose appearances coincide with catastrophe and who may hold the key to all the stories that ensnare Natalia. Obreht is an expert at depicting history through aftermath, people through the love they inspire, and place through the stories that endure; the reflected world she creates is both immediately recognizable and a legend in its own right. Obreht is talented far beyond her years, and her unsentimental faith in language, dream, and memory is a pleasure. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

In a war-torn Balkan country, a young doctor remembers her grandfather and tells a series of interlinked tales both historical and magical featuring the tiger's wife and the deathless man. In this account of love, loss, and war in the modern world, Obreht's vivid writing creates unforgettable visions of unique settings. (Mar.) (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.