A salad only the devil would eat : the joys of ugly nature / Charles Hood.
Record details
- ISBN: 9781597145459 : PAP
- ISBN: 1597145459 : PAP
- Physical Description: 222 pages : cm illustrations ; 21 cm
- Publisher: Berkeley, California : Heyday, [2021]
Content descriptions
Formatted Contents Note: | I heart ugly nature -- The lure of the list -- Nature journals for fun and profit -- Fifty dreams for forty monkeys -- Two thousand palm trees -- Things you can do with water -- Divorce insurance -- A small, humble addiction -- Confessions of an amateur -- Today I will draw a penguin -- Love and sex in natural history dioramas -- Cochineal and the color red -- Audubon's tiny houses -- Landscape with unicorns and barnacles. |
Summary, etc.: | "In these wry and explosively funny essays, nature obsessive Charles Hood reveals his abiding affection for the overlooked and undervalued parts of the natural world"-- Provided by publisher. |
Search for related items by subject
Subject: | Nature > Miscellanea. Nature > Humor. |
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Available copies
- 1 of 1 copy available at GRPL.

Publishers Weekly Review
A Salad Only the Devil Would Eat : The Joys of Ugly Nature
Publishers Weekly
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"I have come to prefer ugly nature best," writes poet and natural historian Hood (Wild LA) in this eccentric collection on Earth's oddities. The meaning of "ugly nature" is most apparent in "I Heart Ugly Nature," about living in Palmdale, Calif., a desert area of "few palms and no dales." Still, he delights in the "spindly" creosote bushes, "slim, tan" kit foxes, and young Joshua trees living in a "field of broken bikes." "A Small, Humble Addiction" celebrates the magnificence of British field guides compared to their paltry American counterparts, and "Two Thousand Palm Trees" tells the tale of the arrival of palm trees in L.A. (they were brought from Mexico in the 19th century to provide fronds for Palm Sunday). "Cochineal and the Color Red" describes a parasite that infests prickly pears, leaving it looking as if "spackled with crusty toothpaste." When scraped off and dried, the substance creates a dye that Hood calls "the red that out-reds everything else." The collection ends up being more about the nature of Hood than a deep dive into the natural world itself: it's full of his ruminations on his relationship with the wild, especially how, during lonely periods, he finds solace there. Still, green-minded readers will appreciate the author's ability to find meaning in nature's quirky side. (Nov.)