Egan returns to the fertile territory and characters of A Visit from the Goon Squad with an electrifying and shape-shifting story that one-ups its Pulitzer-winning predecessor. I'll see your PowerPoint chapter, Egan seems to say, and raise you a chapter in tweets, and another in emails and texts. In the near future, a platform called Own Your Unconscious allows memories to be uploaded to the cloud and accessed by anyone. "Counters" seek to ferret out "proxies" that help hide "eluders" who resist merging their "gray grabs" to the collective in order to leave their online personae behind. Not everyone sees this as panacea, and a countermovement called Mondrian arises. Appearances from music producer Bennie Salazar, his mentor Lou Kline, and their lovers and children provide sharp pleasures for Goon Squad fans, and Egan cleverly echoes the ambitious, savvy marketing schemes of real-world tech barons with Own Your Unconscious. It casts its spell on Bennie, whose punk rock days with the Flaming Dildos are long past: "Tongue-in-cheek nostalgia is merely the portal, the candy house, if you will, through which we hope to lure in a new generation and bewitch them," he writes in an email. Twisting through myriad points of view, narrative styles, and divergent voices, Egan proves herself as perceptive an interpreter of the necessity of human connection as ever, and her vision is as irresistible as the tech she describes. This is Egan's best yet. Agent: Binky Urban, ICM Partners. (Apr.)

At the center of this sibling novel to Egan's multi-award winning, genre-bending A Visit from the Goon Squad (2010) is Bix Bouton, a minor character in the previous tale, now a tech guru who has developed Own Your Unconscious, a platform that allows people to access all of their memories and those of others. While many welcome this opportunity, some "eluders" seek to escape the unrelenting surveillance of every aspect of their lives. Drifting from the mid-1960s to the mid-2030s, this novel is a portrait of where we have been, where we are, and where we could be going. Its many-worlds, portal-like structure is influenced by video games, and as in Goon Squad, Egan experiments with many different forms, perspectives, and styles; one chapter consists of tweets, while another contains overlapping emails. Each presents us with characters who desire permanence in an unstable world, and many are on nebulous quests for authentic experience. Similar to Dave Eggers' The Circle (2013) and The Every (2021), this novel excoriates the desire of tech companies to quantify everything and warns about unthinkingly taking a bite from the seemingly free "candy house" offered by such companies. Haunting and often hilarious, this is a wondrous, riotously inventive work of speculative fiction that celebrates the power of the imagination in the face of technology that threatens to do our thinking for us.HIGH-DEMAND BACKSTORY: The latest by Egan, winner of the Pulitzer Prize and the Carnegie Medal, is a top spring title with magnetic pull for Visit from the Goon Squad admirers and fans of smart, literary speculative fiction.

Egan returns to the interlocking narrative structure of A Visit from the Goon Squad, once again embracing the distilled power of short fiction in individual chapters while subtly allowing the distinct, imaginative parts to crescendo into a sterling sum. But where her Pulitzer Prize-winning earlier novel proved to be more conceptual in its story's framework, this work is a more straightforward narrative, albeit rendered wonderfully kaleidoscopic. Egan's latest broadly centers on a technology called "Own Your Unconscious," a very near-future innovation that allows individuals to access every memory they've ever had and upload them to a collective virtual space in exchange for access to others' memories if desired. From here, Egan allows her narrative to gyre outward, tracing connected characters across decades and into the crannies of her richly realized world, made all the more portentous for looking only shades different (and darker) than our present one. But nothing here is about mere showmanship; everything is both imaginative and utilitarian, including its shape-shifting style, which regularly jumps between tenses, distinctive voices, and even forms (an epistolary chapter, a chapter of tweets). The result is something of a mosaic, each meticulously rendered chapter feeling nested within the others rather than simply lashed together. Most impressive, however, is the prescience--never resorting to cheap technophobia or didactic moralizing--with which Egan manages to ask: What does it cost us to taste the Candy House? VERDICT A forceful, wonderfully fragmented novel of a terrifyingly possible future, as intellectually rigorous as it is formally impressive, and yet another monumental work from Egan.--Luke Gorham