Grandmothers, our grandmothers : remembering the "comfort women" of World War II / Han Seong-Won ; translated from Korean by Soo Kyung Lee.
Record details
- ISBN: 080485663X
- ISBN: 9780804856638
- Physical Description: 174 pages : chiefly illustrations (some color) ; 23 cm
- Publisher: Tokyo : Tuttle Publishing, 2023
- Copyright: ©2023
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references (page [175]). |
Formatted Contents Note: | Testimony -- Memories -- Traveling together. |
Summary, etc.: | In "Grandmothers, our grandmothers" the "comfort women" of the Japanese Imperial Army share their personal stories with us and give us their testimony. Alongside passionate advocates from younger generations, they protest on a weekly basis-- speaking for all victims of war and violations of human rights. In this book, writer and artist Han Seong-won depicts the ongoing crusade of some of war's most courageous survivor women. These women were forced into sexual slavery in Han's native Korea and other countries where the Japanese army set up military camps. |
Search for related items by subject
Genre: | Nonfiction comics. Historical comics. |
Available copies
- 1 of 1 copy available at GRPL.

Publishers Weekly Review
Grandmothers, Our Grandmothers : Remembering the "Comfort Women" of World War II
Publishers Weekly
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"War does not end on the battlefields," writes historian Seong-won in this moving and urgent collection of comics profiles of women kidnapped into sexual slavery by the Japanese Imperial Army in WWII. Based on Seong-won's interviews, the volume sensitively depicts the activism of these "comfort women," as they're officially known in Korea, and their participation in the "longest running single protest in the world," which began in 1992 and which calls for an apology from the Japanese government. These women--who are not only Korean but also Chinese, Norwegian, and from other countries Japan invaded--were stigmatized for talking about what they endured. Some were not able to return to their homes, marry, or have children after liberation. Seong-won focuses not on the brutalities but instead the bravery of these activists "of iron will"--and moments of healing (one grandmother is shown dramatically singing into a mic, "her terrible trauma soothed by the verses of a song"). Mixing vivid, colorful snapshot portraits with stripped-down black-and-white comics, the simply rendered testimonials are forceful. Recalling Keum Seuk Gendry-Kim's Grass, this acts both as homage and witness, and as inspiration for new generations to speak out against stigma and silence. (Aug.)